Sunday 31 August 2008

Download Jarabe de Palo mp3






Jarabe de Palo
   

Artist: Jarabe de Palo: mp3 download


   Genre(s): 

Pop
Rock

   







Discography:


Adelantando
   

 Adelantando

   Year: 2007   

Tracks: 12
Un Metro Cuadrado 1m2
   

 Un Metro Cuadrado 1m2

   Year: 2005   

Tracks: 11
Completo Incompleto
   

 Completo Incompleto

   Year: 2005   

Tracks: 15
Coleccion Grandes
   

 Coleccion Grandes

   Year: 2005   

Tracks: 10
Grandes Exitos
   

 Grandes Exitos

   Year: 2003   

Tracks: 17
Bonito
   

 Bonito

   Year: 2003   

Tracks: 15
De Vuelta Y Vuelta
   

 De Vuelta Y Vuelta

   Year: 2001   

Tracks: 11
Depende
   

 Depende

   Year: 1998   

Tracks: 13
La Flaca
   

 La Flaca

   Year: 1996   

Tracks: 12






The Latin rock radical Jarabe de Palo (purely translated as "woodwind syrup" in English) was formed in Barcelona in the other '90s by singer and guitar player Pau Donés with guitar thespian Jordi Mena, drummer Alex Tenas, percussionist Dani Forcada and bassist Joan Gené. Donés, an other fan of the Beatles and Bob Marley, formed his first-class honours degree band with his crony, plainly then found another batting order for the new named Jarabe de Palo. The group's 1997 record album La Flaca did intimately on the charts in the group's primordial dry demesne. De Vuelta Y Vuelta was issued little Joe long time later.





Oasis tour tickets Souled out

Thursday 21 August 2008

"The Way We'll Be": Finding optimism in a weary world

"The Way We'll Be: The Zogby Report on the Transformation of the American Dream"



by John Zogby



Random House, 235 pp., $26



BOOK REVIEW



Dismissing a crystal-ball book by a professional canvasser would be easy. After all, generalizing about a diverse body politic of ccc million people based on samples of just a few 100 seems ludicrous.



But pollster John Zogby's voice in "The Way We'll Be" is disarming. He anticipates skepticism and answers potential arguments with a combination of intelligent rebuttal, winning modesty and full disclosure most the limits of his methodology.



What he describes seems a plausible (though not guaranteed) scenario for the future of the United States, its politics, culture and economic science. Even if Zogby's conclusions prove to be mistaken, the data he has collected offer plenty of fodder for discussion.



Drawing on surveys he conducted over a 20-year period, Zogby analyzed responses from all age and demographic groups. What he found was surprisingly optimistic: reason for uplift amid job layoffs, inadequate health care, rising gasoline prices, global thaw and other morale-sapping problems. "My surveying shows that we ar in the middle of a underlying reorientation of the American character," he writes, "away from wanton consumption and toward a new ball-shaped citizenry in an historic period of limited resources."



I like the well-grounded of that new universe. But I could non shake the thought that maybe Zogby is rendition data to fit his personal hopes. Or possibly people run to offer answers that sound politically correct and comport with what they believe pollsters want to hear.



Cued by Zogby's hopeful interpretation, I vowed to look for holes in his analytic thinking, as well as flaws in the premises and phrasings of his questions. But as Zogby works through his data, the vision in his crystal ball seems to hold.



He comes crossways as justifiably confident when writing that significant numbers of Americans "are less interested in luxury and extravagance than in comfort, convenience, costs, and the dictates of a growing global consciousness." For good example, when asked what values were important in their consumer decisions, 51 pct of women responding mentioned the using of child labor, 44 percent cited environmental friendliness, and 37 percent mentioned the human-rights record of the producer. Armed with such replies, Zogby confidently states that "Americans require to live in a world with other people, not in a walled empire surrounded by enemies."



At the center of this optimistic future is a group he labels the "First Globals," consisting of the current 18- to 29-year-olds across the United States. This group, he finds, is "the virtually outward-looking and accepting generation in American history." Yes, many of them ar self-absorbed and materialistic. But, Zogby says, the absolute majority of First Globals ar "far more likely than their elders to take gays and lesbians. For all practical purposes, they're the first color-blind Americans and the first to bring a consistently planetary perspective to everything from foreign insurance policy to environmental issues to the coffee tree they buy, the music they hear to and the clothes they wear."




And they feel far more connected personally to the rest of the populace. They expect to

Monday 11 August 2008

Monica Molina

Monica Molina   
Artist: Monica Molina

   Genre(s): 
Other
   



Discography:


A vida   
 A vida

   Year: 2006   
Tracks: 11




The girl of illustrious gypsy dancing singer Antonio Molina, Monica Molina is besides the sister of internationally known actress Angela Molina, a carnal screen presence in films by Buñuel and Almódover, among many others. For her piece, Monica Molina grew up in Madrid and began her vocation in show business organization sector as an actress, making her cRT screen debut at historic stop 18 with her sister in 1986's La Mitad del Cielo (released in the U.S. as Half of Heaven in 1988). Further roles followed in the '90s (1992's Demasiado Corazon, 1993's La Ardilla Roja [The Red Squirrel], 1995's Belmonte) before Molina turned to the dramatics, devising her stage debut in Oscar Wilde's The Importance of Being Earnest. She went on to appear in a television system series with her sister earlier embarking on a musical career. After her father's death in 1996, she and her brother Noel began work out on an album stipendiary tribute to Antonio Molina, with Noel committal to writing the music. Finally released in 1999, to a human beings previously incognizant of her musical ambitions, Tu Desperida (Your Goodbye) became a sizeable make in Spain, marketing over 50,000 copies. Two years by and by, she returned with a followup, Vuela, which featured a combination of boleros, ballads, and Portuguese fados. Vuela was an regular bigger success, breakage Molina to a more than outside interview and earning her a nomination for Best Female Pop Vocal Album at the 2002 Latin Grammy Awards.





Tube and Berger feat. Vanity

Wednesday 6 August 2008

Aashid Himons and Giles Reaves

Aashid Himons and Giles Reaves   
Artist: Aashid Himons and Giles Reaves

   Genre(s): 
Electronic: Progressive
   



Discography:


Sedona   
 Sedona

   Year:    
Tracks: 9